Slanted Magazine #32—Dubai
Slanted Publishers

RSS
  • Slanted-Magazine-32-Dubai 00
  • Slanted-Magazine-32-Dubai 02
  • Slanted-Magazine-32-Dubai 03
  • Slanted-Magazine-32-Dubai 04
  • Slanted-Magazine-32-Dubai 05
  • Slanted-Magazine-32-Dubai 06
  • Slanted-Magazine-32-Dubai 07
  • Slanted-Magazine-32-Dubai 08
  • Slanted-Magazine-32-Dubai 10
  • Slanted-Magazine-32-Dubai 11
  • Slanted-Magazine-32-Dubai 12
  • Slanted-Magazine-32-Dubai 13
  • Slanted-Magazine-32-Dubai 14
  • Slanted-Magazine-32-Dubai 15
  • Slanted-Magazine-32-Dubai 16
  • Slanted-Magazine-32-Dubai 17
  • Slanted-Magazine-32-Dubai 18
  • Slanted-Magazine-32-Dubai 19
  • Slanted-Magazine-32-Dubai 20
  • Slanted-Magazine-32-Dubai 21
  • Slanted-Magazine-32-Dubai 22
  • Slanted-Magazine-32-Dubai 23
  • Slanted-Magazine-32-Dubai 24
  • Slanted-Magazine-32-Dubai 25
  • Slanted-Magazine-32-Dubai 26
  • Slanted-Magazine-32-Dubai 27
  • Slanted-Magazine-32-Dubai 28
  • Slanted-Magazine-32-Dubai 29
  • Slanted-Magazine-32-Dubai 30
  • Slanted-Magazine-32-Dubai 31
  • Slanted-Magazine-32-Dubai 32
  • Slanted-Magazine-32-Dubai 32
  • Slanted-Magazine-32-Dubai 33
  • Slanted-Magazine-32-Dubai 34
  • Slanted-Magazine-32-Dubai 35
  • Slanted-Magazine-32-Dubai 36
  • Slanted-Magazine-32-Dubai 37
  • Slanted-Magazine-32-Dubai 38
  • Slanted-Magazine-32-Dubai 39
zurück weiter

In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!

Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.

Illustrations, photography, interviews and essays complement the issue thematically. Slanted #32 comes with contributions by Abjad Design, Uday Al-Araji, becky beamer, Jason Carlow, Dr. Nadine Chahine, Afra Bin Dhaher, Fatmah Al Dhanhani, Noor Eid, Elephant Nation, Jori Erdman, Reem Falaknaz, Marcus Farr, Fikra Design Studio, Martin Giesen, Glyphs, Nan Goggin, Gökçe Günel, H2R Design, Hanken Design Co., Tulip Hazbar, Khalid Al Jallaf, JAM Type, Kemistry Design, Ibraheem Khamayseh, Cristiano Luchetti, Faissal El-Malak, Mohammed Mandi, Möbius Studio, Moloobhoy & Brown, Myneandyours, Nasir Nasrallah, Ingo Niermann, Narjes Noureddine, Sultan Sooud Al Qassemi, Uzma Z. Rizvi, Khaled Al-Saai, Sheikh Saifi, Fatmah Salmeen, Ruben Sánchez, Tarsila Schubert, Wissam Shawkat, Slash, The Flip Side, The Lighthouse, T.ZED Architects, Tahreek, Tinkah, Toil & Tinker, Tribe Magazine, Twothirds Design Bureau, WTD Magazine, Majid Al Yousef, and Mandana Ziaei.

The booklet“Contemporary Typefaces” is a regular feature of Slanted Magazine presenting an editorial selection of recently published international high-quality typefaces as well as typefaces with an Arabic language support in an additional section, including Akkordeon Slab (Eduardo Manso / Emtype Foundry, Faune (Alice Savoie / Centre National des Arts Plastiques), Knif (Building Paris, Axel Pelletanche-Thévenart / A is for…), Mackay (René Bieder), Mazagan (Mário Feliciano / Feliciano Type Foundry), Rektorat (Prof. Rudolf Barmettler, Anton Studer / Nouvelle Noire), SangBleu (Swiss Typefaces), Sloop Script Pro (Richard Lipton / Lipton Letter Design), Trash (Estela Ibarz González / Bruta Types), Adelle Sans Arabic (Azza Alameddine / TypeTogether), Amariya (Dr. Nadine Chahine, Matthew Carter / Monotype), 29LT Bukra (Pascal Zoghbi, Swiss Typefaces, Adrien Midzic / 29Letters), Clother (Jérémie Hornus, Julie Soudanne, Ilya Naumoff / Black[Foundry]), Edit Serif Arabic (Christoph Dunst / Atlas Font Foundry), FiraGO (Ralph du Carrois, Anja Meiners, Botio Nikoltchev, Titus Nemeth, Hasan Abu Afash, Rob Keller, Kimya Gandhi, Natalie Rauch, Akaki Razmadze, Natalie Rauch, Yanek Iontef, Mark Frömberg, Ben Mitchell / bBox Type), URW Geometric Arabic (Jörn Oelsner, Boutros Fonts / URW Type Foundry), Graphik Arabic (Khajag Apelian, Wael Morcos, Christian Schwartz / Commercial Type), Markazi Text (Fiona Ross, Borna Izadpanah, Florian Runge / Google Fonts), Skolar Sans Arabic (Titus Nemeth, David Březina / Rosetta Type Foundry), Teshrin (Kristyan Sarkis, Peter Biľak / TPTQ Arabic), and SF Tobba (Sultan Mohammed Saeed Maqtari / Sultan Fonts).

In addition to this exciting publication, a limited special edition is available consisting of a tote bag designed by Wissam Shawkat (https://www.wissamshawkat.com/) and produced by World of Textiles (https://www.world-of-textiles.com/) and a risograph printed booklet presenting the colorful work of Ruben Sánchez (https://www.iamrubensanchez.com/). Moreover, it contains a photo book showcasing the work of Ola Allouz (https://www.olaallouz.com), Faysal Tabbarah / Architecture + Other Things (https://www.architecture-otherthings.com), Ammar Al Attar (https://www.ammaralattar.com), Lamya Hussain Gargash (https://www.lamyagargash.net), Tarek Al-Ghoussein, Lars Harmsen (https://www.slanted.de), Irenaeus Herok (https://www.iherok.com), Johannes Heuckeroth (https://www.pfnphoto.com), Celia Peterson (https://www.celiapeterson.com), Juan Roldán (https://www.instagram.com/aspaniardinsharjah/), Christian Topp (https://www.ctopp.de) and Ashok Verma (https://www.ashokverma.com) that has been printed by Océ (https://www.oce.com/).

Slanted Magazine #32—Dubai

Publisher / Design: Slanted Publishers
Release: October 2018
Volume: 256 pages + 48-pages booklet
Format: 16 × 24 cm
Language: English
Printing & Finishing: Stober (https://www.stober.de/)
Paper: Gmund 925 Brown Silver, MultiArt Gloss, PlanoPlus, OpakoSatin, distributed by Papyrus (https://www.papyrus.com/de)
ISSN: 1867−6510
Price: € 18,- (DE) / € 21,- (International)

Single Issue: https://slanted.de/shop/slanted-32-dubai
Special Edition: https://www.slanted.de/shop/limited-dubai-special-edition
Subscription: http://www.slanted.de/abo
Video Interviews: http://www.slanted.de/dubai

Slanted-Magazine-32-Dubai 00
Slanted-Magazine-32-Dubai 02
Slanted-Magazine-32-Dubai 03
Slanted-Magazine-32-Dubai 04
Slanted-Magazine-32-Dubai 05
Slanted-Magazine-32-Dubai 06
Slanted-Magazine-32-Dubai 07
Slanted-Magazine-32-Dubai 08
Slanted-Magazine-32-Dubai 10
Slanted-Magazine-32-Dubai 11
Slanted-Magazine-32-Dubai 12
Slanted-Magazine-32-Dubai 13
Slanted-Magazine-32-Dubai 14
Slanted-Magazine-32-Dubai 15
Slanted-Magazine-32-Dubai 16
Slanted-Magazine-32-Dubai 17
Slanted-Magazine-32-Dubai 18
Slanted-Magazine-32-Dubai 19
Slanted-Magazine-32-Dubai 20
Slanted-Magazine-32-Dubai 21
Slanted-Magazine-32-Dubai 22
Slanted-Magazine-32-Dubai 23
Slanted-Magazine-32-Dubai 24
Slanted-Magazine-32-Dubai 25
Slanted-Magazine-32-Dubai 26
Slanted-Magazine-32-Dubai 27
Slanted-Magazine-32-Dubai 28
Slanted-Magazine-32-Dubai 29
Slanted-Magazine-32-Dubai 30
Slanted-Magazine-32-Dubai 31
Slanted-Magazine-32-Dubai 32
Slanted-Magazine-32-Dubai 32
Slanted-Magazine-32-Dubai 33
Slanted-Magazine-32-Dubai 34
Slanted-Magazine-32-Dubai 35
Slanted-Magazine-32-Dubai 36
Slanted-Magazine-32-Dubai 37
Slanted-Magazine-32-Dubai 38
Slanted-Magazine-32-Dubai 39

Einloggen mit deinem Konto bei…


…oder OpenID: